Many solo passages were truly sublime, especially the second movement when the pianist showed loving restraint, slowly allowing the lyrical love theme to woo us with pauses and then -- ah -- completion. The rest of the program was a bit more mixed. Jacques Ibert's "Escales" (Ports of Call) did suggest the cruise that inspired it --especially the second movement (Tunis-Nefta) with the alluring oboe solo that conjured up images of snakes and belly dancers. On the other hand, I can't think when I've heard a faster version (or a more perfunctory one) of Beethoven's Symphony No. 5 in C minor. That opening knock on the door sounded like a UPS guy in a big hurry rather than fate's thunderous clamor.
From Cool Cleveland contributor Laura Kennelly lkennellyATgmail.com
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